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J.W. Hulme

j.w.hulme-perforated-leather

Heritage has become a buzz word lately, and – after reading hundreds of brand pitches touting heritage ideals and craftsmanship – for products that looked poorly made even from my laptop screen –  it was starting to lose it’s meaning.

And then I visited J.W. Hulme in St. Paul.

And suddenly heritage – real heritage – made a lot more sense to me.

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I’ve been a fan of J.W. Hulme bags for years – that weekender is entirely impractical for my preferred methods of travel but is just so gorgeous that I’d consider working out just so I could carry it around the airport with me – but didn’t know much about the brand until Ashley and I visited the factory a few months ago.

After this visit, I have such a different understanding of what heritage really means – and it is impressive.

J.W. Hulme opened in 1905 as a field and sport company, and all products have always been produced in St. Paul, Minnesota, using domestically sourced materials. The company has always focused on quality over anything else – the bags are classic, meant to be used, and are guaranteed to last.

j.w.hulme-leather

The production of these bags is rather incredible. The company only uses A-grade, heavy leather hides from carefully selected partner tanneries across the US. The leather arrives, is inspected, and then is split – which thins the leather out to a uniform width, and hand cut using a steel die. Each bag is made up of 8-10 pieces of leather, using the right part of a hide for each piece is imperative – and knowing which part that is is an art.

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After cutting, the ends of each piece are hand painted (!!!) for consistency, and then the leather is lined and backed. If the product is part of the American Heritage line, the leather is hand buffed and burnished to create a patina. The bags are finished with solid brass hardware and Riri zippers – considered the best zippers in the market. And the bags are guaranteed – for life.

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Making bags is labor intensive, but the attention to detail – and the respect for the craft – of each employee was obvious. Many of the employees have worked for the company for over 20 years, and J.W. Hulme is also a partner in The Makers Coalition, an organization working to build a trained cut and sew industry within Minnesota. I asked Laura, the Vice President of Brand Management, about her experience at J.W. Hulme, and she said “There is an amazing level of integrity that everyone brings when they come in in the morning. It’s not just a job, this is a mission. Everyone gets what we are doing and why we are doing it.”

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This is a mission I’m proud to support. Thank you, Alfred and Laura, for showing us the factory and helping us to understand what J.W. Hulme – and heritage – is all about.
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Original photography for TAE by Ashley Sullivan | Instagram

Follow J.W. Hulme:

 

04.25.14

Good Morning!

I apologize for the lack of posts this past week… after months of frustration with the site being slow or down, I moved to what I’m considering a more grown-up server – as a friend told me recently, if I believe in TAE, I have to treat the site with the respect that it warrants, even if it hasn’t quite earned it yet.

“If you build it, they will come…”

And let’s be clear – I do believe in TAE. I left my corporate job – which had at one time been my dream – just over a year ago, and never could I have imagined that I’d be as creatively fulfilled and inspired as I am now. It hasn’t been an easy year – punctuated with more downs than ups, to say the least- but the feeling that I’m building something that I believe in, and that others see value in, keeps me going.

The other thing that keeps me going (besides espresso) – the people I’m so fortunate to call my family and my friends. I wasn’t prepared for the fact that leaving my job would be a bit like a divorce. I moved to Minneapolis when I was 22 and built my life here around that job – until I met Matt, everyone I knew worked and lived within the same two blocks in the city. My entire life revolved around my place of employment, and when I left I had to rebuild. To find a new common ground with the people I’d been friends with for years, and to find new people who understood what I was going through. It was tough. I was lucky in that Matt had had undergone his own professional reinvention years before, so he understood the process – but I was wholly unprepared. Last summer was pretty dark – I think I’m just now accepting how hard it really was for me – I felt immense pressure to succeed and to prove that I’d made the right decision, and I really had no idea what I was doing. And I was lonely, and at home, most likely in my sweatpants.

But there were many bright spots. I’d written a personal blog for about a year, and through that had become internet friends with local (and many non-local) creatives – that’s how I met Megan, and Wing, and Michelle, and Elizabeth, and Melissa, and Kate, and Lisa, among others. Megan forced me to quit my job over dinner one night, so she had no choice but to be my friend afterwards, but the other women were just incredibly supportive of my dream from the start. That they believed in me helped me to believe in me. That they were willing to sit me down and tell me the hard truth about the life I was setting myself up for (over wine, obviously) terrified me but also helped me to know exactly what I was getting into. Without them, I’d have been back at my corporate job with my tail between my legs in months. Because of them, I’ve survived a year – and even partnered to launch a new endeavor – and I’m confident that I’ll make it through at least a few more.

Another, obvious bright spot – the readers and followers of TAE and the makers I’ve had the incredible fortune to meet and profile. This will never be the most popular or the biggest website in the world, but the fact that there are more of you each day brings me incredible joy. I really do believe that little things make all of the difference, and if together we can promote conscious consumption and domestic production, we could legitimately change the future.

That’s pretty incredible.

Thank you, thank you, thank you for reading, and PLEASE let me know what I can do to make this site better for you.

[some thoughts on “making-things” & the internet – by adam-j-kurtz,  via swiss-miss]

For more TAE:

Maison du Soir

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So – the dirty secret of working from home (at least my dirty secret!) is that it’s very easy to spend a lot of time in your pajamas. As someone who has always been an advocate of dressing the part, I knew better – but when I was working from my couch, my laziness won out, and I’d spend all day in my workout clothes – if I was lucky – or my pajamas. But – the days that I left the house in the morning – and thus got dressed – were always my best, so the proof was there – dressing like a responsible, productive human being made me act like one.

Courtney Kates created Maison du Soir on the same concept – sleep is arguably the most important thing we can do for our health – and while we sleep we dream and build out our ideas. But most of us sleep in things we’d never be caught dead leaving the house in. We don’t respect our sleep, even though we know it’s incredibly important.

I’ve invested in my bed and bedding, knowing that we spend 30% of our day in bed. But until the last year or so, my pajama drawer was filled with holey, stained, mismatched tees and shorts – many from high school! Every night I had to go through the entire drawer to find something to sleep in, and I never liked anything I found. We make so many important decisions in a day, what we wear to sleep should not be one of them. I ruthlessly attacked my dresser, and now I only have a few items that I love to wear – and I sleep so much better.

My favorites – without question – are my Maison du Soir pieces – particularly the items from Courtney’s newest collection – which, if you are braver than I am, work just as well as separates during the day (out in the real world, not just on your couch!). Read on for an interview with Courtney on the inspiration behind this amazing collection and what she’s learned over the last year! (to learn more about Courtney and MDS, read our first interview here!)

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WHAT INSPIRED THE NEW PRINTS?

The constellation print was inspired by a vintage map of the stars. Every season I have a mellow, easy print and a crazier, more fun print.  The brighter print this season was the multi colored floral and I love how it’s grounded back to black.

WHAT’S YOUR FAVORITE PIECE IN THE COLLECTION?

Oh such a tough question…it’s like asking which child is your favorite!!  I love the Begonia dress…it seems to embody the brand values in one style….it can be worn as sleepwear or daywear.  It’s flattering for different body types and simply makes you feel beautiful when wearing it.

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I LOVE YOUR LOOKBOOK CONCEPT – TELL ME MORE ABOUT IT!

The concept of the lookbook/Spring 14 photoshoot was inspired by Sleeping Beauty and was an attempt to evoke a bit of whimsy and fantasy.  Our first photoshoot introduced the Maison Du Soir woman and the second (Spring) was what happens in her dreams.  Eugenia Kuzmina, our beautiful model was given direction to imagine as if she was dreaming and all these colorful butterflies and adorable animals were drawn to her beauty.  Eugenia is fantastic, one of the hardest working and nicest models I have ever worked with.  For photography and concept, I worked with Scott Chebegia.  I can’t tell you how much I enjoy working with Scott.  He is hilarious which always makes for a fun day but he has the ability to take my concepts to the next level…he makes my vision come to life but also brings new ideas to the table. Scott is insanely talented and just simply a wonderful person.

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WHAT DID YOU LEARN AND INCORPORATE FROM SEASON ONE?

I learned a lot about fit and construction from the first season.  Even though this has been my background for over 10 years, I’ve learned that even with all the knowledge and all the resources , it still takes a season or two to figure out what will make everyone happy.  The first season’s fabric had stretch which made it very difficult to sew. I reduced the stretch this season to keep my costs from going up.  The first season also had a European fit and was more petite…this season, I adjusted the blocks a bit.  We still aren’t perfect but striving to get there. We have a lot of new stuff in the works….new fabrications, more price tiers….I’m looking forward to trying new things and continuing to bringing women comfortable and stylish product to sleep in.  No more ugly jammies!

Thanks, Courtney! Follow Maison du Soir:

The Edit: The Podolls

All of the things I would love to buy with The Podolls coupon code. Use TAE15, good through the end of the month!

Uniform Shirt Chambray | Tie Short Ikat | Slope Tee | Caftan Mini Dress | Lauren Manoogian Linear Cuff | Jessica Niello Small & Large Tea Mug | Gentlewoman Magazine | Clare Vivier Navy Stripe Half Zip Wallet | Skin & Bones Moisturizing Oil | The Podolls x Shawn Burke Clutch –> I picked this up at the shop and LOVE IT!